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It just should be a lot more subtle than if you were painting a male portrait. Beste told me she likes freckles, even though she doesn’t have any, which is great, because that gives me some additional texture to work with. First though, just the normal skin texture. 18). If you wonder why I would rather use that than one of the many “skin textures” that are out there, it’s quite simple: they may work for 3D characters, but I find that actual skin texture makes painted skin look even faker. But that’s just me.

Then I set the layer either The last thing I do in any painting is some targeted softened edges, or to Softlight or Overlay and reduce the Opacity as needed. I use the Eraser additional lighting - in this case particularly around the hair on the right. 20). For additional lighting (if color popping effects. Playing around with this results. com page 60 Issue 061 January 2011 Portraiture Chapter 03: Female And that’s pretty much it. All I do now is adjust the background contrast to my liking (usually with levels), then flatten the image and adjust it some more with Levels and Variations, cropping and adding more additional lighting layers if needed, which of course will be flattened too.

07). For example you can use your perspective to lead the viewer into the picture and directly to your focal point. Now the power lines are your perspective lines. Use whatever objects you have in your scene to point at the focal point. You can also use a technique used in films, paintings and photography vignetting, which is basically darkening the edges and corners of your image so that the eye doesn’t escape. It’s very effective when dealing with quick sketches among other things. Another quick and effective composition technique is basically having your image layout follow certain shapes, like a circle, cross, square, triangle, oval etc.

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